Thursdays, 11 am–12:30 pm
February 16: From the Ballet de la Nuit to Coppélia: Desperately Seeking Composers
March 2: Tchaikovsky Changes Everything
March 16: Diaghilev, the Dream Weaver
March 30: Ballet’s Diaspora
$24 Members, $29 Non-members per lecture
$90 Members, $100 Non-members for the series
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We love the spectacle and the sets, we adore the costumes, we thrill to the beauty of the choreography and the performers, and above all we are exalted by the music. While dance is as old as we are, ballet is a much more recent evolution, growing rapidly from French courtly dance to an internationally beloved art form, attracting master composers like Debussy, Copland and, of course, Tchaikovsky.
Popular speaker and concert pianist Dr. Rachel Franklin uses her unique piano demonstrations and fascinating film clips to illustrate how the music from such ballet masterpieces as Swan Lake, Le Sacre du Printemps, and Appalachian Spring became a treasured part of our culture.
One of the Smithsonian Associates’ most popular lecturers, Rachel has been a featured speaker for such organizations as the Library of Congress and NPR. Her topics explore the intersections between classical and jazz music, film scores, and the fine arts, bringing her back repeatedly to enthusiastic audiences across the region, including the Academy Art Museum, the Chesapeake Film Festival, etc.
From the Ballet de la Nuit to Coppélia: Desperately Seeking Composers
Ballet is a unique experience in performance art, but what really takes it to its greatest heights is the musical score. It’s a bald but undeniable fact that the finest ballets are driven by the finest music. But finding composers who understood how to write for dance wasn’t always easy. Franklin follows ballet’s escape from the French court, its long-standing partnership with opera, and the first great scores by Gluck, Beethoven, Adolphe Adam, and Léo Delibes.