{"id":4716,"date":"2022-11-30T17:13:22","date_gmt":"2022-11-30T17:13:22","guid":{"rendered":"https:\/\/academyartmuseum.org\/ballet-music-the-soul-of-movement3-copy\/"},"modified":"2023-03-06T20:22:15","modified_gmt":"2023-03-06T20:22:15","slug":"ballet-music-the-soul-of-movement4","status":"publish","type":"post","link":"https:\/\/academyartmuseum.org\/ballet-music-the-soul-of-movement4\/","title":{"rendered":"Ballet Music: The Soul of Movement"},"content":{"rendered":"

Thursdays, 11 am\u201312:30 pm
\nFebruary 16: From the Ballet de la Nuit to Coppe\u0301lia: Desperately Seeking Composers
\nMarch 2: Tchaikovsky Changes Everything
\nMarch 16: Diaghilev, the Dream Weaver
\nMarch 30: Ballet\u2019s Diaspora<\/p>\n

$24 Members, $29 Non-members per lecture
\n$90 Members, $100 Non-members for the series<\/p>\n

Not a member? Join now ><\/strong><\/a><\/p>\n

Register<\/a><\/p>\n

We love the spectacle and the sets, we adore the costumes, we thrill to the beauty of the choreography and the performers, and above all we are exalted by the music. While dance is as old as we are, ballet is a much more recent evolution, growing rapidly from French courtly dance to an internationally beloved art form, attracting master composers like Debussy, Copland and, of course, Tchaikovsky.<\/p>\n

Popular speaker and concert pianist Dr. Rachel Franklin uses her unique piano demonstrations and fascinating film clips to illustrate how the music from such ballet masterpieces as Swan Lake, Le Sacre du Printemps, and Appalachian Spring became a treasured part of our culture.<\/p>\n

One of the Smithsonian Associates\u2019 most popular lecturers, Rachel has been a featured speaker for such organizations as the Library of Congress and NPR. Her topics explore the intersections between classical and jazz music, film scores, and the fine arts, bringing her back repeatedly to enthusiastic audiences across the region, including the Academy Art Museum, the Chesapeake Film Festival, etc.<\/p>\n

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March 30
\nBallet\u2019s Diaspora<\/strong><\/p>\n

The United States saw some of the finest ballet creations of the 20th century. Aaron Copland created scores of enormous beauty working with the great choreographers Agnes de Mille and Martha Graham, and jazz found its way naturally into masterpieces by Leonard Bernstein and Jerome Robbins. Franklin also looks at how choreographers such as Balanchine, Ashton, and MacMillan used classical music not originally composed for ballet.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Thursdays, 11 am\u201312:30 pm February 16: From the Ballet de la Nuit to Coppe\u0301lia: Desperately Seeking Composers March 2: Tchaikovsky Changes Everything March 16: Diaghilev, the Dream Weaver March 30: Ballet\u2019s Diaspora $24 Members, $29 Non-members per lecture $90 Members, $100 Non-members for the series Not a member? Join now > Register We love the…<\/p>\n","protected":false},"author":4,"featured_media":4705,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[93,91,92],"tags":[129],"acf":[],"yoast_head":"\nBallet Music: The Soul of Movement - Academy Art Museum<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/academyartmuseum.org\/ballet-music-the-soul-of-movement4\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Ballet Music: The Soul of Movement - Academy Art Museum\" \/>\n<meta property=\"og:description\" content=\"Thursdays, 11 am\u201312:30 pm February 16: From the Ballet de la Nuit to Coppe\u0301lia: Desperately Seeking Composers March 2: Tchaikovsky Changes Everything March 16: Diaghilev, the Dream Weaver March 30: Ballet\u2019s Diaspora $24 Members, $29 Non-members per lecture $90 Members, $100 Non-members for the series Not a member? 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